My favorite show that we saw was
Une Danse des Bouffons by Marcel Dzama. I enjoyed being able to walk through a
room filled with drawings and sculptures that highlighted the theme of the film
before actually watching it. The film itself was wacky, unsettling, and a
little grotesque. But I loved it. He successfully created his own little world
in the film, which is very powerful for me as a viewer to see. When watching
his film I felt like I was in a futuristic world in which rights were limited
and a fear of the trickster is very strong. At the same time people were
wearing masks and costumes that looked like they would be made as art in the
past. This confusion of what time we were watching gave the film’s setting a
very surreal vibe. We were obviously inside the artist’s imagination and I
really enjoyed that.
In
the theatre there was a statue of a calf head and a vagina on the chest. I
noticed it on the way out. After I had just watched a man being birthed out of
that statue it was very impactful to see. The scene in the movie was very
grotesque. Watching a birth in general is off-putting, but having it with a
man’s body and a calf’s head took out all femininity and made it even more
off-putting for me to see. The grossness of the scene contrasted with the
woman’s expression of happiness to see her lover effectively illustrated the
messed up situations people will put themselves through if it means they can be
with the one that they love. It was a very unconventional love story, but very
effective and I’m glad I got to see it
The Artists Formerly Known As Eye & Idea
Columbia University Visual Arts 2014
Visual Arts, Columbia University, New York
This course examines ways of looking and ways of seeing, both personally & professionally as artists and in a larger cultural context. Through field trips to contemporary art and other cultural sites, conversations with visiting critical thinkers and practicioners, readings, discussions, and visual & written responses, we will examine how we look, think, act, create and respond--critically questioning our own artistic practices and ways of looking at the world.
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